According to folklore Blora derived from the word meaning BELOR Lumpur, and then eventually develop into mbeloran until now better known as Blora.
Etymologically derived from the word WAI Blora LORAH +. Wai means water, and Lorah means ravine or low ground ..
In the Java language is often a change or exchange of letters with the letter W B, without causing a change in meaning kata.Sehingga along with the times to be said WAILORAH BAILORAH, from BAILORAH be BALORA and eventually became Blora BALORA said.
So the name means land of low aqueous Blora, was close to understanding the muddy ground.
Blora Empire Era
Blora under the Duchy Jipang
Under the Government of the Duchy Blora Jipang XVI century, which at that time still under the rule of Demak. Duke Jipang then called Aryo Penangsang, better known by the name of Aria Jipang. Territories include:
Starch, Lasem, Blora, and Jipang own. But after Jake Tingkir (Hadiwijaya) inherited the throne Demak administrative center was moved to the Display. Thereby enter the Kingdom Pajang Blora.
Blora under the kingdom of Mataram
Display no longer rule the kingdom, as captured by the Mataram kingdom centered in the town of Yogyakarta. Blora including the eastern region or regions Mtaram Wetan Bang.
In the reign of Paku Buwana I (1704-1719) Blora area was given to his son who was named Prince Blitar and given the title of Duke. Blora extensive work at the time 3000 (1 paper = ¾ acres). In 1719-1727 the Kingdom of Mataram led by Amangkurat IV, so since then under the rule Blora Amangkurat IV.
Blora in Mangkubumi War era (years 1727 to 1755)
At the time of Mataram under Paku Buwana II (1727-1749) a revolt led by the Earth and Mas Mangku Sahid, overran the Earth Mangku Sukawati, Grobogan, Demak, Blora, and Yogyakarta. Finally Mangku Earth people be appointed by the King in Yogyakarta.
News from the Chronicle and Fiber Giyanti Mangku Kuntharatama states that the Earth became King on the 1 Sura Alib year 1675, or December 11, 1749. Together with lifting of the Earth Mangku became King, it also raised other officials, including the warrior leader Mangkubumen, Wilatikta, became regent Blora.
Blora under the Sultanate
The war ended with a treaty Mangku Giyanti Earth, in 1755, known by the name palihan negari, because with the agreement of Mataram was divided into two kingdoms, the Kingdom of Surakarta, Paku Buwana III below, while under the Sultan of Yogyakarta Hamengku Buwana I. In the Palihan Negari it, Blora be Kasunanan region as part of the East International, Kasunanan Surakarta. But the Regent Wilatikta disagree Kasunanan entry into the area, so that he step down select
Blora DISTRICT
Blora as District
From time to time Pajang Blora Mataram district is an important area for the Central Government of the Kingdom, it is because the forest is famous Blora jatinya.
Blora began to change its status from a regional apanage District Kliwon on Thursday, the 2nd Sura Alib year 1675, or date of December 11, 1749 AD, which until now known as the Day of Blora. The first is WILATIKTA Regents.
Blora Struggle against Colonialism
People who spearheaded resistance Blora farmer appeared in the late 19th and early 20th century. Peasant resistance is not separated from the increasingly deteriorating social and economic conditions of rural population at that time ..
In 1882 the head tax imposed by the Colonial Government is very burdensome for the landowner (farmer). In other areas of Java, the tax increase has led to peasant rebellions, such as Cilegon events in 1888. Lapse two years later, a farmer from Blora resistance to colonial rule began, spearheaded by SAMIN SURASENTIKO.
Samin movement as anti-colonial movement of farmers are more likely to use passive methods of protest, a movement that is not a radical rebellion.
Some indicators of the causes of Adana rebellion against the colonial invaders, among others:
Various kinds of taxes implemented in the Blora
Changes in land use patterns of communal
restrictions and supervision by the Netherlands on the use of forest products by the population
These indicators have a direct connection with the protest movement of farmers in the area Blora. This movement pattern mempunai MILLINARISME, the movement against injustice and hope for a prosperous golden age.
Meaning Logo
Blora
Dare to hard work
Loyal to the leadership
Rational in action
Mustika
M a j u
U n l g g u
S e h a t
T e r t i b
I n d a h
K o n t i n y u
A m a n
Cupu BEADS (Hasta GINA)
Pentagon-shaped base symbolizes the philosophy of the State, the Pancasila.
MOUNTAIN TWINS
District people's loyalty to the Government of the Republic of Indonesia Blora.
District people's love of the Area of Blora.
TREE SIX STEM Green colored chime
White with colored OIL TOWER
Symbolizes the main wealth of the district Blora
RIVER (Lusi and Solo River) is illustrated
with two wavy lines and colorful Blue
Symbolize the distribution of government efforts to increase people's welfare
Illustrates that the prosperity of the District Blora among others depends on the utilization of water from the river.
T R I S U L A
White-stemmed red and colored people have a sense of heroism Blora District, bold work, courageous sacrifice, and courage to face difficulties in good faith based on three
Golden yellow colored CIRCLES
Symbolizes the unity and sovereignty of the people's determination Blora District
KALA Makara
As a symbol of local culture and folk arts district area Blora
FIVE POINT STAR colored Yellow Gold
As a symbol of all the most high (God Almighty) and that should be celebrated for the safety of people's spiritual and physical
RICE and COTTON
Duumvirate motif as a symbol of prosperity
Sesanti area that reads "CACANA JAYA Kerta EARTH"
Which means: a place (arena, field) glory, prosperity and lasting peace, or in other words: "Earth Blora district contains great natural wealth, which can increase the welfare of the people, the condition must have the courage to work hard (makarya)"
Cultural Values
Barong artistry or better known as an art distinctive art Barongan Central Java. However, from some areas in Central Java district who Blora in quantity, its presence more when compared to other districts.
Art Barong is one of folk art is very popular among the people Blora, especially rural communities. Barong is reflected in the art of popular properties Blora society, like nature: spontaneity, familiarity, simplicity, rough, hard, compact, and the courage which is based on truth.
Barongan Barongan in art is an apparatus that resemble great Singo Barong lion as a ruler or a haunted forest, and very savage.
The characters in the story Barongan Singobarong called kingpin AMIJOYO meaning of the powerful tiger.
Barongan art form of dance group, which might mimic the motion of a giant lion. Singo Barong role in the totality of the presentation is a very dominant figure, in addition there are some characters that can not be separated as follows:
A. Bujangganong / Pujonggo Anom
2. Joko Lodro / devils
3. Cavalry / reog
4. Noyontoko
5. Untub.
In addition to the above figures Barongan staging also features some of the art equipment that serves as a musical instrument such as: Kendang, Gedhuk, Bonang, Saron, demung and kempul. Along with the changing times there are some modern instruments, namely the addition of drums, trumpets, large and Keyboards Kendang. Sometimes staging is often mixed in some juice mixed with art.
Barongan art sourced from Banner saga, a story that begins from a convoy of soldiers riding escort Raden Panji Asmarabangun / Pujonggo Anom and Singo Barong.
As can be briefly described as follows:
"King Klana Sawandana" of the District Bantarangin fell in love with the daughter of King David Sekartaji Kediri, then diperintahlah Patih Bujangganong / Pujonggo Anom to ask for her hand. His departure accompanied by 144 horsemen, led by four officers including: Horse Larean, Panagar Horse, Pony and Horse sangsangan Panyisih. Entourage arrived at the forest Wengkar Bantarangin Soldiers ambushed by Singo Barong as the incarnation of the Duke of Gembong Amijoyo assigned to maintain security at the border. There was a dispute which culminated in a fierce battle. All Soldiers from Bantarangin be conquered by Singo Barong, but all four officers will be able to escape and report to the Duke of Klana Sawandana. At that moment there were two people Puno friend Raden Panji Asmara Wake of Jenggala named Ward Noyontoko and Untub also have the same goal sent R. Flag to apply Dewi Sekar Taji. But after reaching the forest Wengker, Noyontoko and Untub get odds of Singo Barong which prohibits both weeks to continue the journey, but the two are adamant that there was war. However Noyontoko Untub feel overwhelmed and so bring the brothers sepeguruannya Joko Lodro of Kedung Srengenge. Singo Barong finally be conquered and killed. However, Singo Barong has supernatural powers. Although he was dead from disumbari he can live again. This event is then reported to the R. Banner, and then departed R. Banner with a sense of anger to deal with Singo Barong. At about the same time the Duke of Klana Sawendono also received reports of Bujangganong (Pujang Anom) who was defeated by Singo Barong. With a sense of anger Duke Klana Sawendada revoke its flagship heritage, which is a whip and went to the forest Samandiman Wengker to kill Singo Barong. Having arrived at the Forest Wengker and met with Singo Barong, the inevitable battle between the Duke of Singo Barong Klana Sawendana fight. With its flagship weapon to conquer the Duke of Klana Sawendana Singo Barong with a flagship weapon in the form of whip Samandiman. Singo Barong got whip Samandiman paralyzed into inaction.
However, thanks to the miracle of the Duke of Singo Barong Klana Sawendana power can be restored, provided Singo Barong would lead to the Goddess Sekartaji Kediri to apply. After arriving at the square Kediri troops met with a group of Raden Panji also intends to propose Sekartaji Goddess.
Perselisihanpun inevitable, eventually there was a duel between the Duke of Klana Raden Sawendano Bannerman, who eventually won by Raden Panji. Duke was killed while Klana Sawendana Singo Barong who intends to defend the Duke Klana Sawendana condemned by Raden Panji and can not change into human form again (Gembong Amijoyo) again. Finally Singo Barong Takhluk and devoted themselves to the Raden Panji, including horsemen and Bujangganong of the Kingdom Bantarangin.
Then the group led by Raden Panji proceeded to apply Sekartaji Goddess. The atmosphere of the procession, led by Singo Barong and Bujangganong that is the background art Barongan existence. "
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HizbutTahrir.com.
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Cahaya.com
InfoSinta.com
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